Chord construction

Choose a formula, shape a voicing, and hear exactly what each note contributes.

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Root note
Chord type
4 SELECTED INTERVALS

Cmaj7

C1
E3
G5
B7
THE FRETBOARD · OPEN–12
E
B
G
D
A
E
0
1
2
3 ·
4
5 ·
6
7 ·
8
9 ·
10
11
12 ··
RootSelected toneClick any position to hear it

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1 / 60
E
0
E4
B
0
B3
G
0
G3
D
2
E3
A
3
C3
E
×
mute

Top = thinnest string. × = muted. 0 = open or capo. Vertically aligned notes sound together.

All generated voicings contain every selected pitch class. Fret-span and finger estimates narrow the choices; choose the shape comfortable for your hand.

A WAY TO REMEMBER

Major 7 starts with intervals.

A major triad with a seventh one semitone below the octave.

Sus replaces; add keeps. Sus2 replaces the third. Add9 retains it. A 9 chord also contains a seventh.

Inversion follows the bass. The actual lowest pitch decides the inversion, even in an alternate tuning.

Extensions still come from the root

9, 11 and 13 are octave extensions of 2, 4 and 6. Guitar voicings can rearrange their register; the formula names retain their harmonic role.

Spelling carries information

Cdim7 contains B♭♭, not A. They sound alike in equal temperament, but B♭♭ tells you it is a diminished seventh. The lab preserves that distinction.